(...) perhaps because, like detectives in murder mysteries, we think that if we find the source we will have solved the case, that we will "understand" the work in question if we can reduce it to something that came before it, that has a name and a place.(...) Does it matter if the image started with an apple, a sneaker or the brooklyn bridge ? (...) what is endlessly relevant and fascinating is the relationship of the drawings not to things in the world but to Kelly's own production, in which they play such a provocative role. essay by linda nochlin / ellsworth kelly drawings 1960 1962 matthew marks gallery new york















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